DAVID
CLIVE ADES 1938-2015
![](david_ades.jpg)
David Ades was
Secretary and Treasurer of
the Robert Farnon Society from
1962 until December 2013, when
the Society ceased to function as
a Membership Organisation. For
much of that time, he also edited
JOURNAL INTO MELODY, which
became highly regarded as a model
of its kind throughout the world.
Born in
Westcliff-on-Sea, Essex, David
was educated at the local High
School For Boys. Upon leaving
school in 1954, David joined the
Midland Bank, with a break for
National Service in the RAF from
1956-58. During his later career,
he was appointed manager at
branches in Northampton,
Leicester, Eastwood (Nottingham),
and ultimately served as a member
of a management team based in
Mansfield.
His love of music
had started as a small child,
listening to radio broadcasts. At
the age of seven, a kind
neighbour lent him a portable
gramophone during his
convalescence from a long
illness, and that kindled what
was to become a lifetimes
interest in record collecting.
During the 1940s,
David enjoyed listening to the
many light orchestras performing
live on BBC radio and
he was fascinated by the
compositions used as signature
tunes. A few were available
on commercial discs, but he
soon discovered that most had
been recorded on special
publishers 78s,
not for sale to the general
public. His frustration at being
unable to obtain this material
was compounded when he began to
recognise many pieces used in
Cinema Newsreels.
In 1956, David
became a member of the
newly-formed Robert Farnon
Appreciation Society (the
word Appreciation was
later dropped), where he met Bob
Farnon and other notable
musicians active in the field of
Light Music. In 1962, he took
over as Secretary of the Society,
remaining at the helm until 2013.
Following visits
to Radio and Television studios,
and attending occasional
recording sessions, his
connection to the Light Music
scene grew
ever-stronger, and he would
become well-known within the
profession for his extensive-
indeed encyclopaedic- knowledge
of the genre.
Although time for
such activities was perforce
limited by his work commitments,
he was able to write the
sleeve-notes for a Polydor album
by Robert Farnon entitled Portrait
Of The West. This became the
first of several commissions. In
1988, Grasmere Records engaged
David to compile a collection
of Famous Themes (drawn
from the Chappell library) for
their third volume in a
successful series of LPs, which
were also issued on Compact
Cassette.
In 1989, David was
offered a very generous early-
retirement package, and this
enabled him, at the age of only
51, to concentrate almost
full-time on his
great passions Light Music
in general, and the Robert Farnon
Society in particular. Soon
afterwards, David and his family
re-located from the East Midlands
to their beautiful new home in
Somerset, where, in later years,
they played host to some
extra meetings, held
during the summer, for
members of the RFS.
In 1991, Reference
Recordings (US) asked David to
write the notes for an important
project featuring some of Bob
Farnons more
serious works, and he
also contributed the notes for
three albums by Bob with the
American soprano Eileen Farrell.
From 1992 onwards,
David worked on several projects
for EMI; the CD Music For A
Country Cottage was
re-packaged for HMV record shops,
reaching their Top Ten list for
several weeks. Further releases
around that time included Memories
Of The Light Programme and
tributes to George Melachrino,
Charles Williams and
Sidney Torch. British Film Music
of the 1940s and 1950s was
widely praised, Davids
extensive booklet notes no doubt
contributing to that acclaim.
Also particularly
successful was a two-CD
collection of fifty themes
entitled The Great British
Experience,
(still available today) and
its sequel, The Great Sporting
Experience, which Q
Magazine named their
Compilation Of The Month.
Following the sudden death of Ron
Goodwin in 2003, David quickly
put- together a special two-disc
CD tribute set for EMI.
Throughout the
decade he worked with various
London publishers, assisting them
with the re-issue many of their
archive recordings onto CD. Major
projects were handled for-
inter-alia- Chappell, Bruton,
Atmosphere Music and KPM; for the
latter company, David negotiated
the purchase of the Charles Brull
/ Harmonic music library, which
had been inactive in
administrators hands for
many years. He also arranged for
Extreme Music to acquire a
library of Mood Music from a
leading German publisher.
In 1991, Marco
Polo introduced a landmark
series, newly recorded, entitled British
Light Music, and David
assisted with information for
several releases, as well as
providing the complete booklet
notes for the Samuel Coleridge
Taylor, Sidney Torch and Trevor
Duncan CDs. Other labels to
commission notes and compilations
included ASV/Sanctuary, Conifer,
Naxos, Silver Screen and Jasmine.
In 1995, the BBC
Radio-2 producer Roy Oakshott
engaged David to work on a new
series entitled Legends Of
Light Music. As well as
choosing the musical items, the
brief included preparing basic
scripts, which the presenters
could then embellish with their
own personal comments. The first
and second series were introduced
by Denis Norden; 1997 saw Russell
Davies as compere, with Bob
Monkhouse hosting the final two
series in 1999 and 2000, making a
total of thirty-three half-hour
editions.
Michael Dutton
introduced a new series of Easy
Listening CDs on his Vocalion
label in 2000, and David was
involved from the outset, helping
to select the repertoire and of
course writing many of the
booklet notes. Over the next few
years, almost all of Robert
Farnons Decca albums were
re-issued, as well as
classic albums from
Stanley Black, Frank Chacksfield,
George Melachrino, Mantovani and
Cyril Stapleton.
The archives at
Rediffusion Records and EMI also
yielded further treasures and
during this busy period David
contributed to over fifty
releases.
Concurrently, he
was devoting much time to running
the Society; the job of editing Journal
Into Melody alone took- up at
least eighty hours per issue and
although he had some valuable
assistance, the main task
of producing the
publication continued to fall
upon his shoulders until the very
last edition. He taught himself
to use Desk Top Publishing,
becoming very proficient in the
latter and this resulted in a
very high standard of the
finished product.
He also researched
the archives of several leading
publishers of production music,
(e.g. BMG, Chappell, Bruton,
Charles Brull/Harmonic, Francis
Day and Hunter, KPM, Boosey
and Hawkes, Bosworth and Paxton)
and this led to the production of
many new CDs for professional
users, advertisers and film
makers, who could then utilise
genuine vintage recordings to
support their productions. More
recently, David worked in a
consultative capacity with the
Imperial War Museum, to provide
music soundtracks for the silent
films in their archives; these
have now been made commercially
available.
David wrote the
scripts for several BBC Radio
documentaries about Robert
Farnon, and in 2005 he assisted
with the making of a BBC
Television documentary A
Little Light Music- narrated
by Brian Kay, which was shown on
BBC 4. David briefly
appeared on- screen, but his main
contribution was helping to
develop the scripts and providing
photos, record sleeves and
labels. Some clips
from videos which he had taken at
a Bob Farnon recording session
with George Shearing at the CTS
Studios, Wembley, were also
shown.
David was a guest
on BBC Radio Three, on Brian
Kays Light Programme, broadcast
on January 27th 2005.
Six years later, in June 2011,
the same channel presented a
week-long series of programmes
entitled Light Fantastic. David
assisted behind the
scenes and was interviewed
by Petroc Trelawny during the
interval of the main Saturday
evening concert, in which John
Wilson conducted the BBC Symphony
Orchestra.
David contributed
(anonymously) a number of
musicians biographies to
the Guinness Encyclopaedia Of
Popular Music - and also to
the New Grove Encyclopaedia,
in the latter case receiving due
credit.
Probably
Davids finest achievement,
and arguably his greatest legacy,
is his involvement with the Golden
Age Of Light Music CDs for
Guild Records. In 2003, he
was approached by the owners of
the Swiss-based company to
compile and produce the series,
the first releases appearing in
2004. In addition to choosing the
music- much of which originated
from his own collection and that
of Alan Bunting- he was tasked
with supervising the digital
restoration (expertly carried-out
by Alan) and to write the
comprehensive programme notes for
each release. It is doubtful if
anyone could have foreseen the
phenomenal success of this
venture; by the end of 2014, the
124th disc had been
reached and the total number of
tracks restored and issued was
around 3000 ! Many, if not
most, of these would otherwise
have been lost to posterity.
At the time of
writing, more releases are
planned; Davids programme
notes were completed during the
last few months of his life.
Other recent
projects have included occasional
booklet notes for other record
companies and the recording of
programmes for the Internet Music
Station Radio Six
International, featuring both
Light Music and Dance Bands.
Ironically,
Davids last completed
programme was broadcast on
February 21st 2015-
the day of his death at the age
of 76- after a prolonged and
cruel illness which he bore with
great dignity, courage and
fortitude.
David must surely
be credited with almost
single-handedly rescuing Light
Music on recordings and
broadcasts, at a time when the
genre had almost drowned in a sea
of ignorance, apathy and
indifference; the raising of its
profile in recent years must in
no small way be due to his
tireless efforts.
He was the driving
force of the Robert Farnon
Society, a unique organisation
which flourished for around
fifty-seven years itself a
notable achievement- and which
gave so much pleasure to so many
people, both in the UK and
World-Wide, during that time.
I was privileged
to work with David for several
years, helping to organise the
London Meetings of the Society
and he was always very courteous
and unflappable. Many of us
learned a great deal from him,
and will continue to feel a huge
sense of loss at his passing.
Off
duty, David was a
very private, modest and gentle
man who, in addition to the
music, enjoyed his lovely garden,
a glass of good wine, and a
spot of travelling. He was
devoted to his wife of 48 years
Moira, whom he had first met at
primary school; his daughter
Fenella; and his two grandsons
James and William.
To all his family,
sincere condolences are extended.
Tony Clayden
February 2015
With
acknowledgements to Geoff
Leonard, Alan Bunting and Tony
Currie
A tribute
from John Wilson:
"David Ades was a good and
kind man whose seemingly
limitless knowledge of Light
Music, in all of its multifarious
forms, earned him the friendship
and respect of musicians and
music-lovers the world over. I
first encountered David when I
was in my early twenties and he
was an invaluable support to me
at the start of my career. He
helped me organise a number of
concerts, most notably Robert
Farnons 80th Birthday
Concert at St. John's, Smith
Square, which he presented from
the stage. The revival of
interest in Light Orchestral
Music over the past two decades
owes much to David's tireless
work as editor of the Robert
Farnon Society's Journal and to
his work as a producer of over
100 CDs, ensuring that a
significant body of English Music
is preserved for generations to
come."
A tribute
from Andr? Leon:
"David Ades
projected a bright light over all
the music he loved.
He shared many great songs and
melodies with all his friends and
admirers around the the world.
Words alone cannot describe his
important contribution but the
music he championed will always
remind us of his passion and his
great commitment to the
art."
|