REPORT ON
THE AUTUMN EVENT OF THE LONDON
LIGHT MUSIC MEETINGS GROUP SUNDAY 9TH
OCTOBER 2016
It was time once
again for Light Music lovers to
come together at the Lancaster
Hall hotel, for our twice-yearly
feast of light music. The BBC may
think that light music is dead,
but we say 'not while we're
alive!'
Tony Clayden
welcomed us to the meeting,
opening the proceedings with Eric
Coates' Television March,
which was specially composed
(apparently, at very short
notice) for the re-opening of the
BBC Television Service in 1946,
and was used daily for several
years thereafter. This was to
commemorate, in November, the
80th anniversary of the start of
regular high-definition
television broadcasting in
Britain, which was also a world
'first'.
Tony Clayden
He also mentioned,
in passing, the recent sad death
of Sylvia Peters, (the last of
the trio of original post-WW2 BBC
television announcers), who will
be fondly remembered by many
viewers.
This was followed
by Tonight from West Side
Story, sung by Marni Nixon, who
also passed away during this
year. Ms Nixon became famous for
dubbing the singing voice in a
number of Hollywood movies, for,
inter-alia, Deborah Kerr (The
King And I), Audrey Hepburn (My
Fair Lady ) and Natalie Wood
and Rita Moreno (West Side
Story). The accompanying
orchestra was that of Robert
Farnon, in a recording that was
taken from the soundtrack of a
BBC 2 TV broadcast, 'The Best of
Both Worlds', in 1964. This was
one of many Farnon items which
had been kindly made available to
Tony, at the time of the
inception of the LLMMG, by the
late and much-missed David Ades.
We stayed with Bob
Farnon for our next piece, this
time providing the accompaniment
to Tony Bennett in Bobs
splendid up-tempo arrangement of The
End of a Love Affair. Antonio
Dominick Benedetto, to give him
his full birth-name, has now
reached the splendid age of 90,
and it is believed that he is
still regularly performing !
Tony then invited
André Leon to the stage give a
presentation about next year's
50th anniversary of Radio Two
(29th September 1967). He opened
with the signature tune of
'Friday Night is Music Night' -
Charles Williams' High
Adventure, following
it with Ron Goodwin's 633
Squadron from the London
Festival Orchestra. After
this we heard With A Song In
My Heart conducted by Norman
Candler and Bright Eyes played
by Manuel and his Music Of The
Mountains - introduced by Pete
Murray as part of one of Andre's UK
Light Radio broadcasts.
Another
introduction followed this
time it was Keith Fordyce
presenting 'After Seven'
and its theme tune Sunshine
played by the Frank Chacksfield
Orchestra. André then
played a Bob Farnon composition, Little
Miss Molly. played by the BBC
Midland Radio Orchestra,
featuring the flute of Adrian
Brett and the piano of Harold
Rich.
We heard Paul
Hollingdale hosting the very
first programme on Radio Two
Breakfast Special
and introducing its first item -
Percy Faith's recording of The
Sound of Music.
André
Leon and Tony
André then talked
about the late Sir Terry Wogan -
a much-respected contributor to
Radio Two, playing an excerpt
from one of his introductions, in
which he listed many of the shows
with which he had been
associated.
André's
presentation concluded with the
BBC Concert Orchestra and Singing
In The Rain.
Tony Clayden
introduced some new Vocalion CD
releases, which were on sale
during the afternoon. First-up
was Paul Mauriat's recording of Alouette
(also known as La
Pelegrinacion) and he
followed this with Sugarfoot
Rag from pianist Floyd
Cramer.
The next item
featured the famous Boston 'Pops'
Orchestra under its equally
famous conductor Arthur Fiedler
Morton Gould's famous Pavanne
and, to round off Part One of
our meeting, Tony played us
Charles Chaplin's This Is My
Song from the Werner Muller
orchestra.
And so to tea !
Neil Varley
(click to enlarge)
Resuming
proceedings, now suitably
refreshed, Tony Clayden welcomed
our special guest, Neil Varley,
an accomplished exponent of the
chromatic (button key accordion),
and BBC Producer for Radio Three.
Indeed, he told us that he had
been associated with the BBC
Concert Orchestra for some 15
years, mostly on Radio Three, but
he had also produced a few
editions of 'Friday Night is
Music Night' on Radio
Two and was, in fact, responsible
for the recent Strictly
Promenade Concert - a really
enjoyable show reflecting
different aspects of dance and
conducted by Light Music Society
Chairman, Gavin Sutherland. Neil
also referred to the many
editions of Brian Kay's Light
Programme which he had
produced. He had also been
involved with that show in his
capacity of musician, when the
London Salon Ensemble (of which
he is a member) were featured.
Neil played us a recording of the
ensemble playing the Geigen
Polka which, not surprisingly
featured him prominently on
accordion.
Neil went on to
explain the intricacies of his
instrument, demonstrating the use
of the couplers and other
mechanical facilities which
contribute to the instrument's
versatility. As a performer (of
sorts) on the piano accordion, I
thought that this looked much
more complicated! He also
mentioned that he was aware of
certain derogatory comments often
made about the instrument; the
one that seems to surface most is
the definition of a gentleman
being 'someone who can play the
accordion but doesn't!' Quite
unfair, as it is a wonderful
instrument in expert hands.
Whilst the piano-accordion was
not known in this country until
bandleader George Scott-Wood
imported one from Italy in the
1920s, becoming its first
exponent, and starting a craze
for accordions and accordion
bands, on a par with the guitar
today, the button- key accordion
goes back to the 1800s, together
with its predecessors,
concertinas, bandoneons,
melodeons etc.
Neil
and Tony
The Russian
classical composer Tchaikovsky
obviously took the accordion
seriously and Neil played us a
recording of part of an
orchestral suite of his,
featuring three accordions. He
also played a movement from a
suite entitled Winter Sketches,
a complex piece which just
happened to be his audition piece
as an accordionist. He continued
with a vintage tape excerpt, Little
Miss Bouncer featuring
Flotsam and Jetsam and other
radio voices from the distant
past.
After Edward
White's Puffing Billy - a
recording by the Scarborough Spa
Orchestra Britain's only
surviving seaside orchestra
Neil played a potpourri of
recordings by the BBC Concert
Orchestra. He concluded with the
London Salon Orchestra in a
private recording of a piece by
the group's celeste player,
Darryl Griffiths, entitled Parisienne
Cafe, in which the accordion
featured prominently.
This concluded
what was universally hailed as a
superb, fluent and most
entertaining presentation.
Indeed, several people spent the
ensuing interval talking with
Neil, who partly dismantled his
instrument to demonstrate its
operation!
Questions
during the interval
After a short
break we returned to our seats
for Part Three, to the sound of Firefly
by Donald Phillips, played by
harmonica virtuoso Sigmund
Groven. This gave Tony the
opportunity to remind us that
Sigmund would be our special
guest next May.
We then listened
to Table Bay as a tribute
to its composer Harry Rabinowitz,
who died recently, aged 100. Some
may have heard his 'Desert Island
Discs' broadcast last year. Those
of us 'of a certain age' will
also recall his regular
broadcasting as conductor of the
BBC Revue Orchestra in the 1950s.
Tony then invited
Steven Wills to the stage to make
a presentation. Steven, a
hospital radio presenter who was
making his debut with us, opened
with Laurie Johnson's The
Beauty Jungle. He continued
with one of my favourite Ernest
Tomlinson compositions
Mississipi Melody played
by the Perry / Gardner Orchestra.
(Alan Perry and William Gardner
being the pseudonyms of Ernest
Tomlinson and Peter Hope
respectively).
Stephen
Wills and Tony
Next came a really
'snazzy' arrangement of Winkler's
well-known Neopolitan Serenade,
this being followed by Johnny
Pearson's Sleepy Shores
played by the BBC Midland Radio
Orchestra. After this came Steve
Race's The Pied Piper and Teapot
Gavotte from the Westway
Studio Orchestra. Steven
concluded his highly entertaining
presentation with a medley of BBC
radio themes played by Paul
Fenoulhet and the London Concert
Orchestra with The Stargazers.
The medley included themes from
'Take it from Here', 'Educating
Archie', 'Hancock's Half hour',
'Ray's a laugh' and Horse
Feathers from 'Meet the
Huggets'.
It then fell to me
to bring the afternoon to a
conclusion with my usual 'Radio
Recollections'. Unlike the
majority of pieces heard during
the afternoon, my choice of items
came from my extensive collection
of vintage off-air broadcasts, as
opposed to records.
I commenced with a
composition by conductor Harold
Geller, entitled Street of
Linden Trees played by Bill
Savill and his orchestra. This
ensemble did a phenomenal amount
of broadcasting from the 1940's
until the late sixties. It
specialised in ballroom dance
music, but undertook society
engagements as opposed to
Palais work.
Next, I played a
piece written by a distinguished
BBC man, Brian Willey whom
we have been pleased to welcome
to our shows ever since he was
our special guest a couple of
years ago. This piece was called Summer
Love in Napoli and was played
by Carlos Romanos and his
orchestra. Incidentally, Carlos,
whose real name was Wilf Todd,
wrote some lyrics to this piece,
but we just heard the
instrumental version!
We continued with
one of my favourite pieces of
light music, Lady Beautiful played
by Reg Pursglove and the Albany
Strings. This was composed by
cinema organist, turned BBC
executive, Fredric Bayco.
As so often
happens on these occasions, time
was running out and it was only
possible to play one of the
remaining three items which I had
lined up. So I chose the
delightful Carriage and Pair by
Benjamin Frankel. This started
out as incidental music for the
1950 film 'So Long at the Fair'.
It was played by Sidney Bowman
and his orchestra and brought the
meeting to a conclusion.
It only remained
for Tony to bid us farewell and
invite us to assemble once again
on May 7th next year, for another
afternoon of quality Light Music.
© Brian Reynolds
2016
The next
LLMMG meeting will take place at
the Lancaster Hall Hotel on
Sunday May 7th 2017 All
are welcome, please tell your
friends !
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