CD REVIEW
THE
MGM SOUND & HOLLYWOOD
MELODIES
The
Conrad Salinger Orchestra
Georgie
Stoll conducts the MGM Studio
Orchestra
Sepia 1333 (73:32)
Congratulations to
Sepias Richard Tay for
giving us a rarity these days: a
release very much "our kind
of music", which up
to its sad demise almost five
years ago would have been
one of many similar releases
reviewed in the Robert Farnon
Society's printed Journal
Into Melody.
The first 12
tracks are a Capitol Records
hi-fidelity stereo album from
1957 with the title 'A Lovely
Afternoon' comprising
personal favourites of that
supreme arranger Conrad Salinger,
whose orchestra is fronted by
Buddy Bregman, himself another
well-regarded arranger and
conductor. Among the titles are The
Continental, Thats
Entertainment, Singin In
The Rain, The Trolley Song,
and A Wonderful Guy.
Salinger has to
his credit the orchestrations for
nine productions on Broadway from
1931 to 1938 and over 75 motion
pictures from 1931 to 1962
including most of the musicals
MGM is famous for. (Our own John
Wilson has, of course, been
responsible for reconstructing
Salinger's original
orchestrations, so shamefully
sent to landfill by the movie
studio). The orchestra consists
of forty musicians with a full
string section.
Recorded ten years
earlier, 'Hollywood Melodies'
features the famed MGM Studio
Orchestra conducted by another
name to conjure with, Georgie
Stoll, a former boy violin
prodigy who joined the MGM music
department in 1937 and was active
with them until the 1960s. The
eight tracks include You Were
Meant For Me, September In The
Rain, Pagan Love Song, Louise,
and Over The Rainbow.
The disc is
completed by two choice bonus
tracks from 'Theme Music From
Great Motion Pictures' (1947):
Undercurrent, based on
melodies from Brahms' Third
Symphony, and Aaron Copland's Fantasia
Mexicana by Al Goodman and
his Orchestra. Al directed over
150 first-night performances and
became one of the most popular
conductors on Broadways
Great White Way.
The original LP
notes have been retained and the
CD re-mastering has been well
done by Robin Cherry. From
beginning to end this album
celebrating Metro-Goldwyn-Mayer's
'Golden Age' is one to cherish.
Peter Burt
© 2018
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