CD REVIEW - WALTZES
PETER DONOHOE
SOMM SOMMCD 0690 [81:30]

If you are a devotee of light music, you will undoubtably warm to the waltz. It would not be surprising if some of you may also appreciate the celebrated Polish composer and pianist, Frédéric Chopin (1810-49). Actually, I have on my shelves a no longer available album of Robert Farnon arrangements that include pieces by Chopin and Debussy.

One of the great Romantics who lived much of his too short life in Paris, Chopin wrote over 230 compositions of mainly brilliant and beautiful piano music including ballades, études, impromptus, mazurkas, nocturnes, polonaises, preludes, scherzi and sonatas. But he is best known and loved for his waltzes. So here is the perfect match: 14 of the genre carefully curated and played by Peter Donohoe (b 1953), acclaimed as one of the foremost pianists of our time. A joyful 52-minute listening experience.

Esteemed for his own piano music and a great admirer of Chopin, the album is opened by the German composer and pianist, Robert Schumann (1810-56), with his melodious Abegg Variations. This was published while he was a student and recognized as his Opus 1. It is suggested that it refers to Pauline von Abegg, whom he met when he was 20-years-old and dedicated the work to her.

French composer, Maurice Ravel (1905-58), also wrote some fine piano music, considered amongst the best written for the instrument. Here we have his Valses nobles et sentimentales, which he later orchestrated for a ballet.

Writer of piano music that was labelled impressionist, denied by him, another French composer, Claude Debussy (1862-1918), completes the album with La plus que lente (The more than slow). It is a masterly final three-in-a-bar dance, ie waltz of under five minutes duration undeservedly omitted from the front cover of the booklet, which includes five-and-a-bit pages of helpful programme notes by Robert Matthew-Walker, an English writer, editor, marketer, producer, broadcaster and composer.

The album is not a reissue but a newly minted first-rate sounding recording made at The Menuhin Hall, Stoke d’Abernon, Surrey, in November 2023. It was produced by Siva Oke and the engineer was our friend Paul Arden-Taylor. I am delighted to add it to my CD collection, and even if you are only vaguely interested, please sample it on the excellent SOMM website.

© Peter Burt, August 2024

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